The cult classic film re-releases today.
Jaane Bhi Do Yaaro mixed comedy with themes of corruption and unemployment that lifted the modest NFDC production into one of the best dark comedies in Indian cinema.
The Kundan Shah classic will be remade with some of the original cast.
The actor died of a heart attack in Shimla.
'What a tragic loss for cinema, for India.'
Satish Kaushik, who co-wrote the film and acted in it, looks back at the experience of being a part of it.
Have you seen these lovely behind-the-scenes pictures of Jaane Bhi Do Yaaro?
Here's looking at the film's cast, way back in 1983.
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.
Eagle-eyed movie buffs don't miss a thing. Part of their passion for cinema is noticing clever little details slipped in by the filmmaker as ardently as the creative. With Easter Sunday just around the corner, Sukanya Verma digs up some super filmi easter eggs just for you.
'Nobody laughed during the shooting. There were fights, swearing and what not. Tempers were high but the unit and the actors stayed on, and finally, the film was made. But it was like riding a wild horse!' Kundan Shah's last interview.
Satish Kaushik, who co-wrote Shah's cult classic Jaane Bhi Do Yaaro as well as acted in it, looks back at the experience of being a part of it.
'When I decided to be a cook I was ridiculed, heckled, bullied back home.'
Born on June 25, 1951, Shah was a prominent figure in Indian cinema and television. His career spanned several decades, during which he earned acclaim for his comedic timing in movies such as Jaane Bhi Do Yaaro, Maalamaal, Hero Hiralal, Main Hoon Na and Kal Ho Naa Ho.
Much, much, much before Rocky Aur Rani Kii Prem Kahaani fussed over What Jhumka, Asha Bhosle trilled in her alluring voice and teased us with tantalising details about the events leading to her precious Jhumka's loss.
Snapshots from Asha Bhosle's life.
If the stories are food for the mind then our digestive system has changed. If they are a piece of art, our gaze has altered. This calls for a change not in stories, but in the grammar of storytelling so that it can cut through the deluge and gluttony and force people to savour, appreciate and re-visit it. That is what the creators of Taskaree or Dhurandhar are trying, points out Vanita Kohli-Khandekar.
'She was the last of the diggaj kalakaars after Lataji, Kishoreda, Rafi saab and Mannada and with her demise, the golden era of Hindi film music has truly ended.'
Shreekant Sambrani tells himself over and over again, don't lose heart in these dire times, there is asha (hope) still, in the divine voice of Asha Bhosle.
'He was a joyful man. He was always content with his life and never ran after money.'
After losing his central contract and slipping down the pecking order, Ishan Kishan rebuilt his game and mindset through discipline, meditation and domestic grind - culminating in a defining performance against Pakistan.
'He runs in my blood like my father who was always thoughtful, caring, happy with my success, sad when I was down.'
Many have tried unsuccessfully to recreate the magic of the classic film Jaane Bhi Do Yaaron.
The song that best encapsulates Geeta Dutt's unfairly abbreviated life would probably be: Yaad Karoge, Yaad Karoge, Ek Din Humko Yaad Karoge. On her 95th birth anniversary on November 23, Dinesh Raheja pieces together the life of this talented singer.
'Lots of people fade away from our memory after they die, but he will stay on forever.'
It was a proud evening for Shah Rukh Khan, as elder son Aryan Khan shone under the spotlight for his first ever premiere.
Bappi Lahiri realised disco was a winning ticket and escalated his game with several more dancefloor perennials. Soon, every film producer and music director in town was down with disco fever. On what would have been Bappi Lahiri's 73rd birthday this November 27, Dinesh Raheja rewinds to the late music composer's halcyon days.
S D Burman enjoyed a productive partnership with Dev Anand's production house Navketan for two decades, but their collaboration reached its apogee with Guide.
'I wanted to do something different, so I turned Dharamji into Hardy, making him waddle with Naseer's stick-like Laurel.' 'People enjoyed seeing him in these avatars. When you work with an evergreen superstar like Dharamji, you can make such 'items'.'
Dinesh Raheja celebrates Lata's 96th birth anniversary on September 28 by picking some choice examples of her non-typical songs that are tinged with a rare eroticism.
Zubeen Garg was not just Assam's voice, he was its heartbeat, its rebellion, and its song of unity in a land often torn apart.
'Vivek Vaswani came over to discuss Raju Ban Gaya Gentleman which he was producing with Aziz Mirza as the director.' 'When I asked who was playing the lead, Raju, he said it was an actor called Shah Rukh Khan. "He looks just like Aamir Khan," Vivek added.' 'It was a shock when I met Shah Rukh on the first day of the shoot.' 'He was thin and tanned, with a fat nose and thick lips.'
'I will do it again. I am ready to put my life in danger a second time. This is my land, this is my responsibility'
While Amitabh Bachchan's chemistry with his heroines -- from Jaya Bhaduri to Rekha to Hema Malini -- brought sizzle to his films, many of his biggest blockbusters have been powered by his combustible combination with male co-stars.
'Kundan was so knowledgable, and not just about cinema. Way back in 1986, he revolutionised the way we looked at television.'
The jokes don't land. The one-liners fall flat. And worse, nobody from the well-stacked cast looks like they are having fun, observes Mayur Sanap.
'My mom had told me a great deal about Meena Kumari and how she could make a tear drop at the right moment. A legend who was in total control. But when I finally met her, I saw a frail, shrivelled and petite woman -- just a bag of bones. Very tiny. She was dying.'
Sukanya Verma quizzes you to find out just how much you know about the movies.
'Panchamda created an exclusive theme music for Gabbar Singh, which is used throughout the film every time the dacoit makes an appearance, and in both concept and sound, is so eerie and evil.'
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